Evening prayers at a Majuli satra
A satra is laid out around the namghar, a long open prayer hall with a shrine at one end holding the sacred text rather than an idol, since the Ekasarana tradition founded by Sankardeva worships through devotion and recitation. Around the hall stand rows of monks' quarters called hatis, often with gardens and ponds. The larger satras, such as Auniati and Dakhinpat, have museums of old manuscripts, royal gifts and ritual objects.
We arrive in the late afternoon, walk the grounds and visit the museum if open, then sit at the side of the namghar as the evening prayer begins. Monks in white chant and sing to the rhythm of large cymbals and the khol drum, a sound that fills the hall. Visitors are welcome to watch quietly.
Afterwards your guide arranges tea with a monk who speaks English or with a translator. Conversations range from daily routine to the satra's history, its lands, its plays and how young novices are trained. Dress modestly, leave shoes outside and ask before taking any photograph.
Questions travellers ask
Good to know
What is a satra in Majuli?
A satra is a Vaishnava monastery of the Ekasarana Dharma, the devotional movement founded by Srimanta Sankardeva in the 15th and 16th centuries. Each has a prayer hall, the namghar, surrounded by monks' quarters. Satras preserve music, dance, drama and mask making as part of their worship.
Which satras should I visit in Majuli?
Auniati and Dakhinpat are large and have museums. Garamur and Kamalabari are close to the main stays and have strong traditions of dance and music. Samaguri is known for mask making. We visit two or three in depth rather than rushing through many.
Can visitors attend prayers at a Majuli satra?
Yes. Visitors are welcome to watch prayers quietly from the side of the namghar. Dress modestly, remove shoes, avoid touching sacred objects and ask permission before photographing. Some satras have customs regarding women entering certain areas, which your guide will explain.
Also in Majuli
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